Wednesday, November 29, 2017
Deformity
| Old Mean Jenkins |
| Scary Salmeron |
Wednesday, November 22, 2017
#3
(3.)
The spectacle presents itself simultaneously as society itself, as a part of society, and as a means of unification. As a part of society, it is ostensibly the focal point of all vision and all consciousness. But due to the very fact that this sector is separate, it is in reality the domain of delusion and false consciousness: the unification it achieves is nothing but an official language of universal separation.
17) The first stage of the economy’s domination of social life brought about an evident degradation of being into having — human fulfillment was no longer equated with what one was, but with what one possessed. The present stage, in which social life has become completely occupied by the accumulated productions of the economy, is bringing about a general shift from having to appearing — all “having” must now derive its immediate prestige and its ultimate purpose from appearances. At the same time all individual reality has become social, in the sense that it is shaped by social forces and is directly dependent on them. Individual reality is allowed to appear only insofar as it is not actually real.
1.) The spectacle is not a collection of images; it is a social relation between people that is mediated by images.
1.) The spectacle is not a collection of images; it is a social relation between people that is mediated by images.
#12
"The spectacle presents itself as a vast inaccessible reality that can never be questioned. Its sole message is: “What appears is good; what is good appears.” The passive acceptance it demands is already effectively imposed by its monopoly of appearances, its manner of appearing without allowing any reply."
Explanation: Appearances mean a lot to the world, and has always meant a lot. Whenever we see someone or something, we don’t know them, except the fact that they appear to be good and they are showing whatever is good about themselves. People tend to hide the “ugly” side of them to seem accepted. Even when they are not happy on the inside, they may show a smile on the outside.
Sunday, November 19, 2017
Friday, November 17, 2017
Exhibition Visit
I visited the gallery in the Art building on campus. This piece of artwork is by Asha Ganpat. It is called Grimoire, a handmade book with twelve illustrations and interactive access. There is a candle holder with "candles" made out of paper and ink.
'Muslim in America" by Aileen Bassis a unique artist book with transferred prints. It represents the struggles Muslim people in America have to go through on a daily basis. I believe in this piece the artist main focus was the identity of each individual that is Muslim. Because the images are black and white it is like you can create your own story within it. For the viewers by first looking at the piece you can probably think of a story that has nothing to do with being Muslim, but once you look at the title and the description you can then see its purpose.
"Is This My America" also by Aileen Bassis is a unique artist book with photos transfer prints and lithographs. At first look, you can tell that the inspiration behind it was the same as "Muslim in America" I think this art piece was self-explanatory. When I first saw it I said it is about the way society treats the planet. It also helped because the title is written in the piece. When you read the title you can also put the pieces together and say it is asking a simple question like, is this the country we live in? The piece makes you think about what can cause us to ask such a question and give it answers like pollution.
"No Way Out" by Ibou Ndoye is an ink drawing and collage on heavy kraft paper. When I first saw this piece I did not think it was a collage. When I think of drawn collages this was not what I pictured. You can come up with so many different perspectives for this piece but what I saw by reading the title was someone who is possibly stuck at a certain obstacle in life and just can not seem to find their way out. Even though I only visited the gallery at school it was still interesting pieces to look and to make up a story for it. There were a few similarities in some of them like I mentioned before but they all had their own unique touch to them.
Metropolitan Museum
The last piece of art that caught my attention was a piece by David Sandlln called "Pur-Ton-o-Fun". I liked that it was bright and something that could catch my attention. One of the pages says "Fool your Neighbors" and I thought that could be a representation of how everyone lives their everyday life. At the end of the day, everything is not what it seems.
When it comes to these pieces and it relating to self, Aileen's work really comes to mind. It wasn’t stated, but maybe the work she has made about immigrants pertains to her own life, and how she has lived her life. Maybe along with asking other people the questions, she has had to ask herself these questions as well.
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